Film shots and techniques are the building blocks for any piece of video,this blog post will highlight a few basic shots
Static shot
Arguably the most basic and the most used shot, this shot is usually used to show the audience the basic setting and tone of the scene,almost a still shot so the audience can easily fathom the current scene
Tracking Shots
Typically, follow shots or tracking shots are employed in cinema to connect the viewer with the viewpoint of the character being followed and to track them. The viewer is made aware of the character's existence and given the opportunity to watch them in action, while simultaneously being compelled to connect with the character, another technique used in this shot is the camera shake which is used to add dramatic effect and create uneasiness
Close-Up shot
A close-up is an emotionally charged moment that captivates the viewer and conveys a character's deepest thoughts. This creates the illusion that the spectator is a part of the action. To emphasize a character's nuance. A close-up enables little nuances such as a smile, an eye roll, or an eyebrow rise to convey the narrative effectively.
Pull-out shot
A draw out is a fluid camera movement that distances the camera from its subject. This movement shrinks the person while exposing their surrounds. To expose the location and characters, pull outs may be utilised. Over here the pull out shot shows the character's helplessness and isolation.
Dolly zoom/Vertigo effect
A dolly zoom is an in-camera technique in which you pan towards or away from a subject while simultaneously zooming in the opposite direction. Also called a zolly, this shot produces an uneasiness in the spectator, mimics a spatial warp, and may either shrink or expand distances depending on the direction chosen.
Panning Shots
Panning may be used to transition from one subject's perspective to another. Demonstrate speed or action: Similar to photography, panning is an excellent method to convey movement. That is why filmmakers often use this approach in action scenes or to inject life into a motionless picture.
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